Top Shows on STARZ
Looking for premium television that goes beyond the ordinary? STARZ has established itself as a powerhouse streaming destination, offering some of the most compelling and binge-worthy shows available today. From gritty crime dramas that explore the complexities of power and loyalty to unexpected documentary series that showcase authentic adventures, the best shows on STARZ deliver sophisticated storytelling that keeps viewers coming back for more. Whether you're drawn to urban narratives that pulse with intensity, family sagas rooted in real-life events, or darkly comedic thrillers that subvert expectations, STARZ consistently produces high-quality series that stand out in today's crowded streaming landscape. The platform has become synonymous with bold, unapologetic content that doesn't shy away from mature themes while maintaining exceptional production values and performances. Our carefully curated selection highlights the top-rated shows streaming on STARZ right now, spanning recent hits and acclaimed series that have defined the network's reputation for excellence. These aren't just shows to watch—they're immersive experiences that demonstrate why STARZ remains a must-have subscription for discerning viewers seeking quality entertainment.
This blood-soaked historical drama follows the real-life Thracian gladiator who led a slave rebellion against the Roman Republic. Steven S. DeKnight's series doesn't shy away from graphic violence or sexuality—in fact, it embraces both with stylized excess reminiscent of 300—but beneath the spectacle lies genuinely compelling storytelling. Andy Whitfield's charismatic performance in season one establishes Spartacus as both warrior and man, making his journey from slave to revolutionary deeply emotional. After Whitfield's tragic death, Liam McIntyre steps into the role admirably. The supporting cast, particularly John Hannah, Lucy Lawless, and Manu Bennett, elevate material that could have been pure exploitation into something resembling Shakespearean tragedy. Yes, the early episodes lean heavily on style, but the show develops surprising depth as it explores themes of freedom, loyalty, and the cost of vengeance. The series builds to a genuinely moving conclusion that honors both its characters and history.
Horror-comedy reaches glorious, blood-soaked perfection in this continuation of Sam Raimi's beloved "Evil Dead" franchise, with Bruce Campbell reprising his iconic role as Ash Williams thirty years after the original films. Now working at a big-box store and still haunted by his past, Ash accidentally unleashes the Deadites once again and must take up his chainsaw to save the world. Creators Sam Raimi, Ivan Raimi, and Tom Spezialy perfectly balance genuinely scary moments with laugh-out-loud comedy, and Campbell reminds everyone why Ash became a cult icon—he's equal parts cowardly, heroic, idiotic, and charming. The series embraces its B-movie roots with spectacular practical effects, creative kills, and an infectious energy that never lets up. Lucy Lawless and Ray Santiago provide excellent support, grounding Ash's absurdity with genuine stakes. This is everything fans could want from an "Evil Dead" series: gory, hilarious, and endlessly entertaining across three spectacular seasons.
Across the stunning landscapes of Scotland, Outlander stars Sam Heughan and Graham McTavish embark on a journey to explore their homeland's history, culture, and traditions in this unscripted travelogue. The premise is undeniably appealing—two charismatic actors with genuine Scottish roots serving as tour guides through castles, battlefields, and whisky distilleries. When they lean into the history and personal anecdotes, the show delivers charming moments that will please fans of both actors and Scotland itself. However, the format often feels stretched thin across its runtime, with scripted banter that doesn't always land and segments that meander without much purpose. The cinematography showcases Scotland beautifully, which is reason enough for some viewers to tune in. It's pleasant background viewing that occasionally sparks genuine interest, though it never quite becomes the compelling adventure it could have been with tighter editing and more substantive content.
Caitríona Balfe delivers a captivating performance as Claire Randall, a World War II nurse who accidentally travels through time to 18th-century Scotland and becomes entangled in the Jacobite risings. Developed by Ronald D. Moore from Diana Gabaldon's novels, Outlander combines historical drama, romance, and fantasy with remarkable confidence, taking its love story between Claire and Highland warrior Jamie Fraser (Sam Heughan) seriously without becoming saccharine. The Scottish locations are gorgeously photographed, the historical detail is meticulous, and the show doesn't shy away from the era's brutality. The chemistry between Balfe and Heughan grounds even the most implausible plot developments. It's sweeping, romantic television that earns its emotions through strong characterization and committed performances.
In the pirate-infested Caribbean of the early 18th century, New Providence Island serves as a lawless republic where ambitious captains compete for wealth, reputation, and survival. This Starz series serves as a prequel to Robert Louis Stevenson's Treasure Island while developing into a sophisticated exploration of colonialism, freedom, and the myths surrounding piracy's golden age. Creators Jonathan Steinberg and Robert Levine anchor the story with Toby Stephens as the charismatic Captain Flint and Luke Arnold as the young John Silver, charting their evolution into the legendary figures they'll become. The production values are genuinely impressive, with ship battles and period details that rival prestige film productions. What begins as pulpy adventure gradually reveals deeper ambitions, particularly in its examination of imperialism and the ways history is written by victors. The ensemble cast, including Zach McGowan and Hannah New, brings complexity to characters who could easily be stock pirate archetypes, and the show earns its mature rating with unflinching violence and political intrigue.
Courtney A. Kemp crafted this slick crime drama that follows James "Ghost" St. Patrick, a wealthy New York City nightclub owner who leads a double life as a major drug kingpin desperate to leave the criminal world behind and go legitimate. Omari Hardwick anchors the series with a charismatic performance, navigating Ghost's increasingly complicated attempts to balance his illegal empire, his marriage to Tasha (Naturi Naughton), his legitimate business ambitions, and a rekindled romance with his high school sweetheart Angela (Lela Loren), who happens to be a federal prosecutor. Executive produced by Curtis "50 Cent" Jackson, who also appears in a memorable supporting role, the show delivers stylish visuals and propulsive storytelling that keeps tensions high across multiple storylines. The series excels at exploring themes of loyalty, ambition, and identity while maintaining the twists and power plays that make prestige crime dramas so addictive.
Set against the backdrop of a small French town in 2006, this gripping British-French co-production follows a father's desperate search for his missing five-year-old son. Created by Harry and Jack Williams, the anthology series shifts between past and present, meticulously examining how one family's tragedy reverberates across years. James Nesbitt delivers a powerhouse performance as Tony Hughes, capturing the devastating erosion of hope with heartbreaking authenticity. The first season's investigation takes viewers through the immediate aftermath of the disappearance and jumps forward eight years to explore new leads. The atmospheric direction and intricate plotting create genuine tension, while the writing treats its characters with respect and complexity. Tchéky Karyo shines as the French detective whose own demons drive his obsession with solving the case.
Creator Courtney A. Kemp expands the "Power" universe with this Chicago-set spinoff that follows Tommy Egan (Joseph Sikora) as he attempts to rebuild his drug empire in a new city after burning his bridges in New York. Sikora, who made Tommy a fan-favorite character across multiple "Power" series, finally gets the spotlight here, and he proves more than capable of carrying a show with his portrayal of a volatile but strategic operator trying to navigate Chicago's complex criminal landscape. The series benefits from its fresh setting and the local crime organizations Tommy must contend with, including the Chicago outfit and various street gangs with their own territorial claims. While "Force" follows the franchise formula of betrayals, power plays, and violent confrontations, the change of scenery and Tommy's position as an outsider fighting for respect adds new energy to familiar dynamics. The supporting cast, including Isaac Keys and Lili Simmons, creates compelling conflicts that give Tommy worthy adversaries and uneasy allies. For fans of the "Power" franchise, this delivers exactly what they're looking for: high-stakes crime drama with a charismatic antihero at its center, executed with style and intensity.
This is a story about genius unbound, ambition unchecked, and the thin line between brilliance and madness during the Renaissance. Created by David S. Goyer, the series reimagines Leonardo da Vinci (Tom Riley) not just as artist and inventor, but as adventurer and investigator tangled in political conspiracies and secret societies. Riley brings charismatic energy to the polymath, capturing both his creative fire and personal demons, while the supporting cast including Laura Haddock and Blake Ritson navigates the dangerous politics of 15th-century Italy. The production design is sumptuous, the action sequences surprisingly robust, and the historical liberties taken are clearly in service of entertainment rather than documentary accuracy. Across three seasons, Da Vinci's Demons embraces its pulpy pleasures while still engaging with ideas about art, science, and power that give it substance beyond mere spectacle.
Sarah Hay stars as Claire Robbins, a talented but damaged young dancer who joins a prestigious ballet company in New York City. Created by Moira Walley-Beckett, this eight-episode miniseries pulls back the curtain on the brutal world of professional ballet, where artistic excellence comes at a devastating physical and psychological cost. Hay delivers a raw, fearless performance that anchors the show's unflinching exploration of perfectionism, abuse, and ambition. The choreography is breathtaking, and the series doesn't shy away from depicting the darker realities behind the grace and beauty of ballet. Ben Daniels is particularly compelling as the company's magnetic yet manipulative artistic director, while supporting performances from Damon Herriman and Raychel Weiner add depth to this intense character study. It's a visually stunning and emotionally bruising portrait of obsession.
This lavish historical drama plunges viewers into the Wars of the Roses through the eyes of three remarkable women fighting for power, survival, and their families' futures in medieval England. Based on Philippa Gregory's novels, the series features Rebecca Ferguson, Amanda Hale, and Faye Marsay as Elizabeth Woodville, Margaret Beaufort, and Anne Neville—women whose ambitions and alliances shaped the throne's succession during one of England's bloodiest periods. The White Queen emphasizes female agency in a male-dominated world, showing these historical figures as complex political players rather than mere consorts. The production values are impressive, with detailed costumes and locations that immerse viewers in the 15th century. While it takes some historical liberties, the series succeeds as compelling character-driven drama, offering political intrigue, romance, and the constant danger of a world where loyalty shifts like quicksand.
This historical drama chronicles the rise of Catherine de Medici from scorned outsider to one of France's most powerful and ruthless rulers, and it's a deliciously wicked showcase for Samantha Morton's commanding performance. The series embraces a bold, anachronistic approach to its 16th-century setting, incorporating modern music, diverse casting, and contemporary sensibilities while maintaining the political intrigue and violence of the period. Morton portrays Catherine with fierce intelligence and dark humor, making her both terrifying and strangely sympathetic as she navigates a court that initially dismissed her as an unworthy Italian interloper. Created by Justin Haythe, the show doesn't shy away from the brutality of the era or Catherine's own capacity for ruthlessness, but it also contextualizes her actions within a world where women wielded power only through cunning and manipulation. The production design is sumptuous, and the supporting cast—including strong turns from Charles Dance and Liv Hill as young Catherine—matches Morton's intensity. This is historical drama that prioritizes entertainment and feminist revision over strict accuracy, and it's all the more engaging for that choice.
Jeffrey Dean Morgan commands the screen as Ike Evans, the charismatic owner of Miami's most glamorous hotel in 1959, a man caught between his legitimate business aspirations and his financial entanglement with mobster Ben Diamond, played with menacing charm by Danny Huston. Created by Mitch Glazer, this sumptuous period drama captures Miami Beach at its most alluring and dangerous, when the city served as a glittering playground for both celebrities and criminals. The production design is absolutely stunning, recreating the era's architectural glamour and poolside culture with meticulous attention, while the supporting cast—including Olga Kurylenko, Steven Strait, and Christian Cooke—inhabits this world of beautiful surfaces hiding violent undercurrents. The series explores the collision of old-world organized crime with the emerging entertainment industry, set against the backdrop of Cuban revolution and the approaching Kennedy era. While it occasionally indulges in style over substance, the show's atmosphere and Morgan's conflicted performance make it a compelling portrait of American ambition and compromise.
1970s Los Angeles serves as the backdrop for this comedy about the unlikely creation of an erotic magazine for women, challenging both sexual mores and second-wave feminism's squeamishness about pornography. Ophelia Lovibond stars as Joyce Prigger, an earnest feminist whose lofty ideals collide with practical realities when she partners with wealthy publisher Doug Renetti, played with sleazy charm by Jake Johnson. Created by Ellen Rapoport, the series finds smart comedy in the contradictions of its era—when women's liberation coexisted uneasily with lingering conservatism about sex and the body. The period details are lovingly rendered without overwhelming the character dynamics, and the supporting cast, including Idara Victor and Oscar Montoya, brings texture to a world where everyone's motivations are complicated. The show works best when it embraces the absurdity of its premise while still taking its characters' personal journeys seriously. Some episodes feel more confident than others in balancing workplace comedy with social commentary, but the ensemble's chemistry makes even the shakier installments watchable. It's refreshing to see a series acknowledge that sexual revolution was messy, imperfect, and often hilarious.
Historical drama meets political intrigue in this adaptation of Philippa Gregory's novel, following Elizabeth of York as she navigates the treacherous early years of Tudor rule after marrying Henry VII. Jodie Comer brings appropriate complexity to the conflicted princess-turned-queen, caught between her Yorkist heritage and her new role as a Lancaster bride meant to unite a fractured England. The series, created by Emma Frost, certainly looks the part with lavish costumes and atmospheric cinematography, but it struggles to find its narrative footing amid the dense political machinations. The pacing can feel uneven, rushing through some developments while lingering too long on others, and the show doesn't always trust its audience to follow the complicated allegiances without heavy-handed exposition. Supporting performances from Michelle Fairley and Essie Davis add gravitas, but the series never quite achieves the dramatic heights of its premise. It's serviceable enough for fans of Tudor-era drama, though it pales in comparison to weightier entries in the genre.
At its core, this is a story about legacy, ambition, and the impossibility of escaping your father's shadow. Tariq St. Patrick (Michael Rainey Jr.) attempts to forge his own path while attending a prestigious university, but his father's criminal empire and violent death continue to shape his destiny. Created by Courtney A. Kemp as a sequel to Power, the series follows Tariq as he navigates two worlds—academia and the drug trade—with his mother Tasha (Naturi Naughton) imprisoned for a murder she didn't commit. Method Man joins the cast as attorney Davis MacLean, bringing both gravitas and charisma to the legal maneuvering. The show builds on its predecessor's foundation while establishing its own identity, though it occasionally struggles under the weight of complex plotting. When it focuses on character over conspiracy, the drama finds its footing and delivers compelling television about choices and consequences.
Based on the true story of brothers Demetrius and Terry Flenory, who built one of America's most powerful crime syndicates in the late 1980s and early 2000s, this Detroit-set drama chronicles their rise from street-level dealers to kingpins of the Black Mafia Family. Executive produced by Curtis "50 Cent" Jackson and Randy Huggins, the series stars Demetrius "Lil Meech" Flenory Jr. (playing his own father) alongside Da'Vine Joy Randolph and Russell Hornsby. The show effectively captures the era's atmosphere and the brothers' ambition to legitimize their empire through a music label, while exploring the personal costs of their criminal enterprise. The production values are strong, with period-accurate details and a soundtrack that enhances the storytelling. While it treads familiar crime drama territory, the performances and the real-life foundation give it authenticity and emotional weight that elevate it above standard fare.
Sobering and occasionally exploitative, this four-part documentary series examines the NXIVM organization and the women who fell under its leader's spell. Through interviews with former members, including India Oxenberg, the series traces how a self-improvement group devolved into an abusive cult complete with branding rituals and coerced labor. Directors Cecilia Peck and Inbal B. Lessner give substantial screen time to survivors, allowing them to reclaim their narratives, which provides the documentary's most powerful moments. However, the series sometimes feels padded, stretching material that might have been more impactful in a tighter runtime. The revelation of how educated, accomplished women were systematically manipulated is genuinely chilling, though the show occasionally borders on sensationalism when depicting the cult's worst abuses. As a document of a recent scandal, it serves its purpose, but it lacks the deeper psychological excavation that might have elevated it beyond true-crime curiosity to essential viewing.
In this vibrant series set in East Los Angeles, two estranged sisters return to their childhood neighborhood after their mother's death, inheriting the bar she owned and confronting their complicated family history. Creator Tanya Saracho crafts a narrative that's as much about gentrification and queer identity as it is about sisterhood, with Melissa Barrera and Mishel Prada delivering authentic performances as Emma and Lyn. The show doesn't shy away from difficult conversations about privilege, belonging, and cultural authenticity within the Latinx community. The supporting cast brings the neighborhood to life, creating a sense of place that feels lived-in and real. While the series sometimes struggles to balance its various thematic ambitions, it remains compelling television that offers perspectives rarely centered in mainstream media.
Gregg Araki brings his distinctive queer sensibility to this Los Angeles-set series that blends millennial aimlessness with surreal apocalyptic undertones. The show follows Ulysses and his friends as they navigate dating, career uncertainty, and sexual exploration while strange phenomena suggest something ominous lurking beneath the surface of their sun-soaked existence. Avan Jogia leads the ensemble cast through storylines that oscillate between explicit sexuality, stoner comedy, and paranoid science fiction without fully committing to any single register. Araki's signature visual style is present throughout, but the tonal shifts can feel jarring rather than provocative, and the apocalyptic elements often seem grafted onto what might have worked better as a straightforward character study. The series has moments of genuine insight into contemporary queer life and relationships, yet also indulges in stylistic excess that doesn't always serve the narrative, resulting in an occasionally fascinating but ultimately frustrating viewing experience.
A delightfully whimsical tone permeates this family-friendly series about three middle school friends who discover a magical cookbook in one of their attics and begin cooking recipes with supernatural consequences. Created for Amazon's youth programming, the show balances lighthearted magical adventures with genuine coming-of-age themes as Kelly, Darbie, and Hannah navigate friendship challenges alongside mystical mysteries. The young cast, led by Olivia Sanabia, Abby Donnelly, and Aubrey K. Miller, display natural chemistry that makes their friendship feel authentic even amid fantastical circumstances. The episodic magical mishaps provide entertaining problem-solving scenarios, while an overarching mystery about the cookbook's origins adds satisfying serialized elements. Production values are appropriate for the target demographic, and the show respects young viewers' intelligence without talking down to them. Parents watching alongside kids will find it charming rather than tedious, making it a solid choice for family viewing that combines Hansel and Gretel-style magic with relatable tween dynamics.