Top Movies on Movistar+
Looking for cinematic excellence on your streaming service? Movistar+ has quietly assembled one of the most impressive libraries of critically acclaimed films available today, spanning decades of groundbreaking cinema. Whether you're a devoted cinephile hunting for timeless masterpieces or simply searching for the best movies on Movistar+ to watch this weekend, the platform delivers an extraordinary selection that rivals any streaming service. From legendary Oscar winners that defined their eras to contemporary foreign language triumphs that reshaped modern filmmaking, these top-rated films on Movistar Plus represent the pinnacle of directorial vision and storytelling craft. Our carefully curated ranking of 21 essential movies brings together epic period dramas, intimate character studies, pulse-pounding adventures, and genre-defining classics—all currently streaming and ready to watch. These aren't just popular titles; they're the highest-rated films that critics and audiences have celebrated across generations, now accessible at your fingertips. If you're wondering what to watch on Movistar+ that truly deserves your time, these certified masterpieces offer unforgettable viewing experiences that showcase why cinema remains our most powerful art form.
Monumental in scope and intimate in detail, Francis Ford Coppola's crime saga stands as one of cinema's towering achievements that demands to be experienced. Marlon Brando delivers an iconic performance as Vito Corleone, the aging patriarch of a powerful New York crime family, while Al Pacino is revelatory as Michael, the war hero son who never intended to join the family business but becomes consumed by it. Coppola's adaptation of Mario Puzo's novel transcends the gangster genre to become a profound examination of power, family, loyalty, and the corruption of the American Dream. Every frame is meticulously composed by cinematographer Gordon Willis, creating a visual style that's both operatic and naturalistic. The supporting cast—James Caan, Robert Duvall, Diane Keaton—all deliver career-best work. The film's deliberate pacing allows characters and themes to develop with novelistic depth, rewarding patient viewers with an absolutely devastating portrait of moral compromise. This is essential cinema that fully earns its legendary status.
Monumental in scope and shattering in impact, Steven Spielberg's Holocaust drama stands as one of cinema's most important and emotionally devastating achievements. Liam Neeson portrays Oskar Schindler, the German industrialist who initially exploited Jewish labor for profit before risking everything to save over a thousand lives. The film's black-and-white cinematography by Janusz Kamiński gives it a documentary-like authenticity while creating images of haunting beauty amidst unspeakable horror. Ralph Fiennes is terrifyingly human as Amon Göth, the sadistic commandant whose casual cruelty represents systematic evil. Ben Kingsley brings dignity and quiet strength to Itzhak Stern, Schindler's accountant and moral compass. Spielberg handles the material with appropriate gravity, never exploiting the tragedy while ensuring we bear witness to both the depths of human cruelty and the heights of moral courage. The final scene remains one of film's most powerful moments.
In 1983, the Talking Heads performed three nights at Hollywood's Pantages Theatre, and director Jonathan Demme was there to capture what would become the gold standard for concert films. David Byrne opens the show alone with an acoustic guitar and "Psycho Killer," then gradually the band members join him as the stage itself expands and evolves. What follows is pure exhilaration—a masterclass in performance art that treats the concert film as a legitimate cinematic form. Byrne's iconic oversized suit, Tina Weymouth's steady bass, Jerry Harrison's keyboards, and Chris Frantz's drums combine with brilliant lighting design to create something that transcends documentation. Demme's camera captures the band's precision and joy without gimmicks or unnecessary cuts. Every song builds on the last, creating a momentum that feels genuinely ecstatic. This isn't just a great concert film—it's one of the best films ever made about music's power to transform space and audience alike.
Viggo Mortensen as Aragorn leads the final charge in Peter Jackson's triumphant conclusion to the trilogy, delivering an absolutely spectacular finale that satisfies on every conceivable level. This epic culmination follows multiple storylines converging for Middle-earth's ultimate battle against Sauron's forces, while Frodo (Elijah Wood) and Sam (Sean Astin) make their final, agonizing push to Mount Doom. Jackson orchestrates massive battle sequences that are both technically astonishing and emotionally resonant, never losing sight of individual characters amid the chaos. The film boldly takes its time with multiple endings, prioritizing emotional closure over convenient pacing—a choice that proves deeply satisfying. Ian McKellen, Orlando Bloom, and the entire ensemble deliver their finest work, while Andy Serkis's motion-capture performance as Gollum remains groundbreaking. The sweep of Howard Shore's score, combined with stunning visuals and earned emotional payoffs, creates moments of genuine catharsis. This is blockbuster filmmaking that respects its audience, delivering both spectacular entertainment and profound thematic resolution.
In this film, director Bong Joon-ho crafts a masterwork that defies genre classification while delivering devastating commentary on class inequality. The impoverished Kim family executes an elaborate scheme to infiltrate the wealthy Park household by posing as unrelated professionals—a tutor, an art therapist, a driver, and a housekeeper. What begins as a darkly comic con artist tale steadily transforms into something far more unpredictable and disturbing. Song Kang-ho leads the ensemble cast with his trademark everyman charm, while Lee Sun-kyun and Cho Yeo-jeong embody the Parks' oblivious privilege perfectly. Bong's direction is immaculate, using the contrasting architecture of half-basement and hillside mansion to visualize social hierarchies, while his script reveals layers upon layers without ever feeling forced. The film builds to shocking developments that feel both inevitable and completely surprising, creating a singular cinematic experience that's essential viewing.
Following both Vito Corleone's rise to power in early 20th century New York and his son Michael's expansion of the family empire in the 1950s, this sequel achieves what few follow-ups ever do—it surpasses the original. Francis Ford Coppola masterfully weaves together two timelines, with Robert De Niro delivering an absolutely mesmerizing performance as the young Vito while Al Pacino shows Michael's complete transformation into a ruthless don. The parallel narratives illuminate how power corrupts across generations, revealing the tragic cost of the Corleone legacy. Every frame drips with atmosphere, every conversation crackles with subtext, and the Lake Tahoe sequences remain some of the most riveting cinema ever committed to film. This is essential viewing that rewards repeated watches with new layers of meaning and devastating emotional resonance.
Bertil Guve and Pernilla Allwin play Alexander and Fanny Ekdahl, siblings growing up in early 20th-century Sweden whose idyllic life with their theatrical family is shattered when their mother remarries a tyrannical bishop. Ingmar Bergman's sprawling masterpiece—originally presented as a television miniseries—is an overwhelming achievement that feels like the summation of the legendary director's career themes: family dynamics, religious oppression, theatrical magic, and the power of imagination. The film moves between warmth and darkness, fantasy and harsh reality, with a richness that rewards the substantial time investment. Every performance, from the children to Erland Josephson and Harriet Andersson in supporting roles, feels fully lived-in. Bergman's visual compositions are characteristically stunning, and Sven Nykvist's cinematography captures both intimate domestic scenes and moments of almost supernatural intensity. It's an absolute triumph, an epic that earns every minute of its runtime.
This towering historical epic remains an absolutely essential cinematic achievement that demands to be experienced on the largest screen possible. David Lean's masterpiece follows T.E. Lawrence, played with mesmerizing complexity by Peter O'Toole, as he navigates the treacherous political landscape of World War I while uniting Arab tribes against the Ottoman Empire. The film is a visual wonder, with Freddie Young's cinematography capturing the desert as both beautiful and brutal, an endless canvas that reflects Lawrence's internal struggles with identity, violence, and ambition. At nearly four hours, the film never drags, balancing intimate character study with sweeping battle sequences that showcase practical filmmaking at its absolute peak. O'Toole's performance is legendary, portraying Lawrence as brilliant yet deeply flawed, heroic yet self-destructive. This is filmmaking as art, a profound meditation on colonialism, ego, and the myths we build around complicated men.
A destitute Tramp falls hopelessly in love with a blind flower girl who mistakes him for a wealthy gentleman, setting him on a determined quest to help her regain her sight while maintaining the illusion of his prosperity. Charlie Chaplin's masterpiece stands as the pinnacle of silent cinema, a film that transcends its era through pure emotional honesty and comedic genius. Every frame radiates with Chaplin's unparalleled gift for physical comedy, yet the film's greatest achievement lies in its enormous heart. The boxing match sequence alone showcases comedic timing that has never been surpassed, while the final scene remains one of cinema's most achingly beautiful moments. Chaplin wrote, directed, produced, and starred in this deeply personal work, proving that sound was never necessary for movies to speak directly to the soul. Nearly a century later, it still possesses the power to make audiences laugh and weep in equal measure.
A cynical American expatriate running a gin joint in Morocco finds his carefully maintained neutrality shattered when an old flame walks through his door with her resistance leader husband during World War II. Humphrey Bogart is absolutely magnetic as Rick Blaine, delivering perhaps cinema's most iconic performance, while Ingrid Bergman brings devastating vulnerability to Ilsa Lund. Director Michael Curtiz orchestrates every element to perfection—the crackling dialogue, the unforgettable "As Time Goes By," the shadowy noir cinematography that drips with wartime atmosphere. This is classic Hollywood firing on all cylinders, where every line has become quotable and every frame feels essential. The love triangle at its center carries genuine emotional weight, even as the film explores larger themes of sacrifice and moral responsibility. Decades later, it remains the gold standard for romantic dramas, proving that some stories are truly timeless.
Clint Eastwood embodies "Blondie," the enigmatic Man with No Name, in Sergio Leone's epic conclusion to the Dollars Trilogy—a sprawling masterpiece that redefined the Western genre. The film follows three gunslingers pursuing Confederate gold buried in a cemetery, set against the brutal backdrop of the Civil War. Leone's direction is operatic in scope, featuring extreme close-ups of weathered faces before pulling back to reveal vast, desolate landscapes. Ennio Morricone's iconic score, from the haunting main theme to the howling coyote sounds, elevates every frame into something transcendent. The three-way standoff remains one of cinema's most perfectly choreographed sequences. At nearly three hours, Leone takes time to develop character through action rather than dialogue, creating archetypes that have influenced countless films since. This isn't just a great Western—it's one of the greatest films ever made, period.
At its core, this is about the seductive appeal and ultimate emptiness of the gangster lifestyle, and Martin Scorsese has never been more brilliant in exploring that contradiction. Ray Liotta narrates as Henry Hill, who grows up idolizing the mobsters in his Brooklyn neighborhood and realizes his dream of joining their ranks alongside Robert De Niro and Joe Pesci (who is absolutely terrifying and magnetic). Scorsese's direction is virtuosic—the camera moves like it's part of the crew, the soundtrack pulses with perfectly chosen songs, and the famous Copacabana tracking shot alone is worth the price of admission. What makes this transcendent is how it captures both the intoxicating rush of that life and its inevitable moral and personal decay. The performances are uniformly outstanding, the dialogue crackles with authenticity, and every frame demonstrates a master filmmaker working at the absolute peak of his powers. This is cinema that demands to be experienced.
In this epic fantasy adventure, director Peter Jackson brings J.R.R. Tolkien's beloved novel to life with a perfect balance of spectacle and heart that launched one of cinema's greatest trilogies. Elijah Wood portrays Frodo Baggins, a humble hobbit tasked with destroying a powerful ring that could doom Middle-earth to eternal darkness. What makes this film so phenomenally successful is how Jackson honors the source material while making it cinematically thrilling—the sweeping New Zealand landscapes become characters themselves, while the diverse fellowship of heroes (including Ian McKellen's magnificent Gandalf, Viggo Mortensen's Aragorn, and Sean Astin's loyal Samwise) creates genuine emotional investment. The groundbreaking visual effects blend seamlessly with practical makeup and sets, making the fantasy world feel tangibly real. Howard Shore's soaring score elevates every moment. The three-hour runtime flies by as Jackson balances intimate character moments with breathtaking action sequences, establishing themes of courage, friendship, and sacrifice that resonate throughout the entire trilogy.
In this film, Hollywood's transition from silent pictures to "talkies" provides the backdrop for one of cinema's most joyful celebrations of entertainment itself, featuring some of the most iconic song-and-dance numbers ever committed to film. Gene Kelly, Debbie Reynolds, and Donald O'Connor are absolutely sensational together, with Kelly's athletic grace, Reynolds's charm, and O'Connor's show-stopping "Make 'Em Laugh" sequence creating pure movie magic. Directors Stanley Donen and Kelly craft a whip-smart satire of the film industry that's simultaneously a love letter to the art form, with musical numbers that burst off the screen with infectious energy and technical brilliance. The titular sequence of Kelly dancing in the rain with nothing but an umbrella and an ear-to-ear grin is justifiably legendary—a perfect expression of unbridled joy that captures everything wonderful about musicals. Every element works in harmony: the witty script, the incredible choreography, the vibrant Technicolor cinematography, and performances that radiate genuine delight. This is Hollywood entertainment at its absolute pinnacle.
A wild exploration of fate, redemption, and the connections between seemingly unrelated lives, Quentin Tarantino's masterpiece revolutionized independent cinema and remains absolutely electrifying three decades later. The non-linear narrative weaves together Los Angeles criminals, including hitmen Vincent Vega and Jules Winnfield (John Travolta and Samuel L. Jackson in phenomenal performances), a boxer on the run (Bruce Willis), and a gangster's wife (Uma Thurman) across a series of interconnected vignettes. Tarantino's razor-sharp dialogue crackles with dark humor, pop culture references, and philosophical musings that transform mundane conversations into riveting cinema. The director's bold structural choices and willingness to subvert genre expectations created a new template for storytelling that countless films have tried to replicate. From the unforgettable soundtrack to the iconic imagery to career-defining performances across the board, every element works in perfect harmony. This is endlessly quotable, perpetually cool, and absolutely essential viewing that brilliantly demonstrates how style and substance can coexist.
Tim Robbins as Andy Dufresne delivers one of cinema's most unforgettable performances in this extraordinary prison drama that will leave you absolutely spellbound. Directed by Frank Darabont, the film follows Andy, a banker wrongly convicted of murder, as he navigates life inside Shawshank State Penitentiary and forms an unlikely friendship with fellow inmate Red, played brilliantly by Morgan Freeman. What makes this adaptation of Stephen King's novella so phenomenal is how it balances crushing despair with soaring hope, creating moments that will stay with you long after the credits roll. The meticulous storytelling, combined with Roger Deakins' stunning cinematography, transforms what could have been a simple prison tale into a profound meditation on friendship, resilience, and the human spirit. This is essential viewing that absolutely deserves its reputation as one of the greatest films ever made.
Devastatingly immediate and urgently necessary, this collaborative documentary from Palestinian journalist Basel Adra and Israeli activist Yuval Abraham bears witness to the systematic displacement of Palestinian communities in the West Bank's Masafer Yatta region. Shot over five years with extraordinary access and courage, the film documents not just the demolition of homes and the expansion of settlements, but the profound friendship between Adra and Abraham as they attempt to tell this story together. The result is cinema that refuses to look away, capturing both intimate moments of daily life and the violent machinery of occupation with unflinching clarity. What makes this essential viewing isn't just its documentation of injustice, but its demonstration of solidarity across seemingly impossible divides. This is filmmaking as resistance and testimony, a work of profound moral clarity that demands to be seen and discussed widely.
Anthony Perkins as Norman Bates delivers one of cinema's most unforgettable performances in Alfred Hitchcock's masterpiece of suspense. When Marion Crane checks into the isolated Bates Motel after stealing money from her employer, she encounters the shy, awkward motel manager and his domineering mother. What follows is a brilliantly crafted psychological thriller that revolutionized the horror genre and changed audience expectations forever. Hitchcock's direction is impeccable, with Bernard Herrmann's iconic score amplifying every moment of dread. Janet Leigh's role, though brief, leaves an indelible mark, while Perkins creates a character study that remains chilling decades later. The film's bold narrative structure and shocking twists still feel daring today, proving that true mastery transcends time.
In this film, Krzysztof Kieślowski brings his Three Colors trilogy to a breathtaking close with a meditation on human connection that feels nothing short of miraculous. A young model played by Irène Jacob accidentally hits a dog with her car, leading her to its owner—a retired judge portrayed with world-weary complexity by Jean-Louis Trintignant—who spends his days eavesdropping on his neighbors' phone conversations. What emerges is an exploration of fate, fraternity, and the invisible threads connecting seemingly random lives across Geneva. Kieślowski orchestrates an intricate narrative that subtly weaves together characters from all three trilogy films while telling a deeply moving story about loneliness and redemption. The cinematography bathes scenes in rich red hues that feel both warm and melancholic. Jacob and Trintignant's unlikely friendship forms the emotional core, and their conversations achieve a profound intimacy. This is filmmaking of the highest order—intellectually rigorous yet deeply humanistic, and an absolutely perfect conclusion to one of cinema's greatest achievements.
This is a devastating exploration of ambition, jealousy, and the corrosive nature of fame in the theater world, and it stands as one of cinema's most sophisticated character studies. Bette Davis gives a career-defining performance as Margo Channing, the aging Broadway star who takes a seemingly innocent young fan named Eve (Anne Baxter, equally brilliant) under her wing, only to watch as the younger woman systematically infiltrates and threatens to usurp her life. Joseph L. Mankiewicz directs with razor-sharp intelligence, crafting dialogue so quotable and cutting it could draw blood. George Sanders earned his Oscar as the acid-tongued critic Addison DeWitt, while the young Marilyn Monroe makes a memorable impression in a small role. The film dissects theatrical ego and female rivalry with wit and wisdom that never ages, building to revelations that reframe everything we've watched.
In this towering achievement of American cinema, Orson Welles announced himself as a filmmaking genius at age 25, creating a technically revolutionary and thematically profound meditation on power, loss, and the unknowability of human nature. The film investigates the life of newspaper magnate Charles Foster Kane through fragmented memories and perspectives, searching for the meaning behind his dying word: "Rosebud." Welles and cinematographer Gregg Toland invented techniques—deep focus photography, low angles, overlapping dialogue—that changed cinema forever. The narrative structure influenced generations of filmmakers, while Welles' performance captures Kane's complexity across decades. It's about American ambition and American tragedy, about how we build empires but lose ourselves. The film's reputation as the greatest ever made isn't hype—it's a recognition of how completely Welles mastered the medium while transforming it, creating something that remains staggeringly bold and relevant.