Recent Shows on STARZ
Looking for your next binge-worthy obsession? STARZ has quietly become one of streaming's most dynamic destinations for premium original series, consistently delivering bold, character-driven content that rivals anything on television today. Whether you're craving gritty crime dramas, dark comedies, or thrilling narratives that push boundaries, the latest shows on STARZ offer something for every sophisticated viewer. The network has significantly expanded its slate of original programming over the past five years, moving beyond its blockbuster franchise roots to embrace diverse storytelling that spans genres and perspectives. From pulse-pounding action series to darkly comedic character studies, these recent additions showcase STARZ's commitment to taking creative risks and attracting top-tier talent both in front of and behind the camera. Our carefully curated selection highlights the newest shows worth streaming right now, with regular updates to ensure you never miss the platform's most talked-about releases. If you're tired of scrolling endlessly through mediocre options, these recently added STARZ series represent the cream of the crop—shows that have captured critical attention and audience enthusiasm while demonstrating why this streaming service deserves a spot in your subscription lineup.
When perpetually overlooked Rhiannon Lewis finally snaps after years of mistreatment and humiliation, she discovers an unexpected talent for violence and an even more surprising sense of empowerment. Ella Purnell stars as Rhiannon in this darkly comic thriller based on CJ Skuse's novel, delivering a performance that balances vulnerability with growing menace. Created by Kirstie Swain, the series follows Rhiannon's transformation from doormat to something considerably more dangerous, though the show occasionally struggles to balance its tonal shifts between pitch-black comedy and genuine thriller. The supporting cast, including Nicôle Lecky and Jon Pointing, grounds the more outlandish elements with believable performances. The cinematography uses color and framing cleverly to reflect Rhiannon's psychological state, becoming bolder as her confidence grows. While the premise promises more edge than the execution sometimes delivers, Purnell's committed performance keeps you invested in this deeply flawed character's journey. It's an entertaining revenge fantasy that works best when it embraces its darker impulses rather than pulling punches.
This sumptuous historical drama chronicles the audacious social climbing of Mary Villiers (Julianne Moore) and her beautiful son George (Nicholas Galitzine) as they seduce their way into the court of King James I in 17th-century England. Created by D.C. Moore, the series doesn't shy away from the sexual politics and manipulation that characterized the Jacobean court, with George becoming the king's lover while mother and son strategize their rise to unprecedented power. Moore delivers a commanding performance as the ambitious matriarch, while Galitzine captures George's complexity as both pawn and player in dangerous political games. Tony Curran's portrayal of James I adds depth to what could have been a one-note character. The lavish production design and costumes create an appropriately decadent atmosphere for this story of desire and ambition, though the series occasionally indulges in modern sensibilities that feel anachronistic. It's an entertaining and unapologetically provocative period piece that earns its mature rating.
Set in ancient Rome during the bloody world of gladiatorial combat, this spinoff explores an alternate timeline within the Spartacus universe, centering on the cunning strategist Ashur. Nick E. Tarabay reprises his role from the original series, finally getting the spotlight after playing memorable supporting character across multiple seasons. The series imagines what might have happened had Ashur's ambitions led him down a different path, building his own ludus and navigating the treacherous politics of Capua's elite. While it doesn't quite reach the visceral heights of the original Spartacus series, there's enough intrigue and well-choreographed action to satisfy fans craving a return to this blood-soaked world. The production maintains the stylized violence and political maneuvering that made the franchise compelling, even if the premise feels somewhat like fan service rather than essential storytelling.
Showrunner Lisa Taddeo adapts her acclaimed nonfiction book into this dramatic exploration of female desire, following three women whose intimate lives reveal different facets of longing, sexuality, and emotional need. The series stars Shailene Woodley, Betty Gilpin, and DeWanda Wise in storylines based on real women's experiences, examining their relationships and the ways desire shapes their choices. Taddeo's approach respects her subjects' complexity, avoiding simplistic judgments while exploring how gender, power, and societal expectations intersect with personal want. The performances are uniformly strong, bringing vulnerability and depth to potentially exploitative material. The show doesn't always integrate its three storylines seamlessly, and some narrative choices feel more successful than others in translating nonfiction to drama. However, there's genuine thoughtfulness in how it examines its themes, and the willingness to focus on female interiority without sensationalism is noteworthy. It's ambitious television that doesn't completely achieve its goals but offers enough substance and strong acting to justify the attempt.
This genre-blending thriller follows a man who wakes up with no memory in a mysterious location where nothing is quite what it seems. The series combines elements of psychological drama, science fiction, and mystery as the protagonist attempts to piece together his identity while navigating an increasingly surreal environment. The show builds intrigue effectively through atmospheric direction and a capable lead performance, maintaining enough momentum to keep viewers engaged even when the plot occasionally meanders. Supporting cast members add texture to the world, though some revelations feel more clever than emotionally resonant. The production values are solid without being spectacular, and the writing demonstrates ambition in tackling themes of identity and reality, even if it doesn't always stick the landing. It's an interesting watch for those who enjoy cerebral mysteries with speculative elements, offering enough twists and solid craftsmanship to justify the investment without being groundbreaking.
A suburban teacher begins hearing a persistent low-frequency hum that no one else can detect, leading her down a rabbit hole of isolation and obsession while others around her gradually report the same phenomenon. Adapted from Jordan Tannahill's novel by creator Rachel Liang-Gelinas, this atmospheric drama starring Rebecca Hall tries admirably to balance body horror with social allegory but never quite decides which direction to commit to. Hall delivers a characteristically nuanced performance that deserves better material, and when the series focuses on the creeping dread of her character's unraveling, it generates genuine unease. Unfortunately, the show gets bogged down in ponderous subplots and struggles to maintain momentum through its six-episode run. The ambiguous ending will frustrate viewers looking for payoff, though those willing to embrace its more abstract ambitions may find something to appreciate. It's visually striking but emotionally remote—more intriguing in concept than execution.
