Recent Movies on Movistar+
Looking for the latest cinematic gems available to stream right now? Movistar+ has become a premier destination for movie lovers seeking recent releases and critically acclaimed films from the past five years. Whether you're in the mood for groundbreaking animated adventures, thought-provoking documentaries, powerful international dramas, or epic blockbusters, this streaming platform offers an impressive selection of contemporary cinema that rivals any theatrical experience. Our carefully curated list of 21 recent movies on Movistar+ highlights the newest additions and most compelling films currently available, spanning award-winning indie darlings to massive franchise spectacles. From intimate character studies that premiered at prestigious film festivals to visually stunning sci-fi epics that pushed the boundaries of filmmaking, these recent releases represent the best of modern cinema. We've assembled this collection to help you navigate Movistar Plus's expanding library and discover the latest movies worth your time, with regular updates ensuring you'll always find fresh recommendations. Get ready to explore exceptional storytelling from around the globe, all available at your fingertips through your Movistar+ subscription.
Devastatingly immediate and urgently necessary, this collaborative documentary from Palestinian journalist Basel Adra and Israeli activist Yuval Abraham bears witness to the systematic displacement of Palestinian communities in the West Bank's Masafer Yatta region. Shot over five years with extraordinary access and courage, the film documents not just the demolition of homes and the expansion of settlements, but the profound friendship between Adra and Abraham as they attempt to tell this story together. The result is cinema that refuses to look away, capturing both intimate moments of daily life and the violent machinery of occupation with unflinching clarity. What makes this essential viewing isn't just its documentation of injustice, but its demonstration of solidarity across seemingly impossible divides. This is filmmaking as resistance and testimony, a work of profound moral clarity that demands to be seen and discussed widely.
Guan Hu delivers an absolutely staggering wartime epic that stands among the finest combat films ever made, depicting Chinese soldiers' defense against UN forces during the Korean War with unprecedented visceral power. The film drops viewers directly into frozen trenches and hellish battle sequences, capturing warfare's chaos and humanity's resilience with breathtaking cinematography and meticulously choreographed action. What elevates this beyond mere spectacle is Guan's attention to the soldiers as individuals—their fears, camaraderie, and desperate determination come through even amid the carnage. The winter setting becomes a character itself, with troops fighting enemies both human and environmental in conditions that seem almost unendurable. The technical achievements are remarkable, from the practical effects to the sound design that makes every explosion feel devastatingly real. It's an exhausting, immersive experience that honors sacrifice without glorifying war, finding moments of grace and humanity in circumstances designed to strip both away. Essential viewing for anyone serious about war cinema.
Bursting with visual innovation and emotional depth, this animated sequel expands the multiverse concept into something genuinely thrilling and artistically groundbreaking. Directors Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson push animation into bold new territory, with each universe showcasing distinct artistic styles that range from punk rock collage to Renaissance painting. Shameik Moore returns as Miles Morales, navigating the complexities of being Spider-Man while an ensemble of spider-heroes—including Hailee Steinfeld's Gwen Stacy and Oscar Isaac's Miguel O'Hara—complicate his journey in fascinating ways. The storytelling matches the visual ambition, diving deep into themes of destiny, choice, and what it truly means to be a hero. The action sequences are absolutely jaw-dropping, choreographed with such creativity that every frame could be a poster. It's a triumph that proves superhero films can be genuine art while delivering spectacular entertainment.
At a Turkish resort in the late 1990s, eleven-year-old Sophie vacations with her young father Calum, and decades later, the adult Sophie revisits these memories through camcorder footage and emotional recollection. Charlotte Wells' extraordinary debut feature is a masterclass in observational filmmaking and the way memory reshapes our understanding of the past. Paul Mescal delivers a revelatory performance as Calum, capturing the quiet desperation of a man struggling beneath a surface of paternal affection, while Frankie Corio is remarkable as young Sophie, inhabiting her character with naturalistic grace. Wells fills the spaces between scenes with profound meaning, using the grainy home video aesthetic and carefully chosen needle drops to evoke how we reconstruct our parents as people, not just caregivers. The film's emotional architecture builds slowly, then devastates completely. It's an achingly beautiful meditation on love, depression, and the unbridgeable distances that can exist even between the closest people.
Fernanda Torres delivers an absolutely stunning performance as Eunice Paiva, a woman whose life is shattered when her husband disappears during Brazil's military dictatorship in the 1970s. Director Walter Salles crafts a deeply moving portrait of resilience and maternal strength as Eunice must reinvent herself to protect and provide for her five children while never abandoning hope of finding answers. Torres brings extraordinary emotional depth to every scene, capturing both the quiet devastation of loss and the fierce determination required to survive under an oppressive regime. The film beautifully balances intimate family moments with the broader political horror of the era, creating a powerful testament to those who endured Brazil's darkest years. It's a masterful exploration of how ordinary people find extraordinary courage when faced with unimaginable circumstances.
Celine Song's stunning directorial debut examines how the paths we don't take continue to haunt us through the reconnection of two childhood friends separated by immigration and time. Greta Lee delivers a career-defining performance as Nora, a Korean-Canadian playwright living in New York whose past resurfaces when her first love, Hae Sung (Teo Yoo), visits from Seoul after years of online correspondence. Song structures the film around three meetings across twelve years, allowing the weight of time and choice to accumulate with devastating emotional precision. The chemistry between Lee and Yoo feels achingly real, built on shared history and the bittersweet recognition of lives diverged. John Magaro provides gentle support as Nora's husband, navigating his own insecurities with grace. Song explores the Korean concept of "in-yun"—fate through past lives' connections—without sentimentality, instead crafting an achingly honest meditation on love, identity, and the immigrant experience that lingers long after the credits roll.
In the besieged Ukrainian city of Mariupol during the early months of Russia's 2022 invasion, journalist Mstyslav Chernov and his Associated Press team documented some of the war's most harrowing moments. This Oscar-winning documentary stands as an essential historical record and a masterwork of frontline journalism. Chernov's unflinching camera captures the bombing of a maternity hospital, the desperation of civilians trapped without food or water, and the tireless efforts of medical workers treating casualties in overwhelmed facilities. The film's power lies not in sensationalism but in its clear-eyed witness to atrocity and human resilience. As one of the last international press teams remaining in the city, Chernov understood the weight of his responsibility to show the world what was happening. The result is devastating, vital filmmaking that refuses to let these 20 days be forgotten or dismissed.
Timothée Chalamet returns as Paul Atreides in Denis Villeneuve's staggering conclusion to Frank Herbert's epic, delivering a performance that charts the character's transformation from reluctant messiah to something far more dangerous and complex. Picking up immediately after the first film, Paul embraces his role among the Fremen while romance blooms with Chani (Zendaya, finally given substantial screen time) and his visions of a horrific future grow increasingly unavoidable. Villeneuve's world-building reaches new heights, with the desert planet Arrakis feeling utterly tangible—you can practically feel the sand in your teeth. Austin Butler makes a terrifying impression as the psychotic Feyd-Rautha, while Florence Pugh brings unexpected depth to Princess Irulan. The action sequences, particularly the worm-riding and final battle, are breathtaking in their scale and execution. Greig Fraser's cinematography and Hans Zimmer's thunderous score create an immersive sensory experience that demands the biggest screen possible. This is visionary science fiction filmmaking at its absolute peak, epic in scope yet intimate in its character work, cementing Villeneuve's place among cinema's great masters.
On a remote, uninhabited island, a shipwrecked robot designed for efficiency must learn to survive in the wilderness and becomes the unlikely adoptive parent of an orphaned gosling. Director Chris Sanders crafts an absolutely stunning animated feature that combines cutting-edge animation with profound emotional storytelling, featuring Lupita Nyong'o voicing Roz, the robot who gradually discovers compassion and purpose beyond her programming. Pedro Pascal voices a clever fox who becomes an ally, and the film explores themes of adaptation, community, and what it means to be alive with surprising depth and nuance. The animation captures nature's beauty in breathtaking detail while the story never talks down to its audience, addressing mortality, belonging, and environmental harmony with intelligence and heart. This is a triumph of family filmmaking that adults will find just as moving as children, proving animated films can be both visually spectacular and thematically rich.
In this powerful documentary, photographer Nan Goldin's personal crusade against the Sackler family and their role in the opioid crisis interweaves with the story of her own survival and artistic evolution. Director Laura Poitras crafts an intimate portrait that moves fluidly between Goldin's iconic photography, her activism with P.A.I.N., and her difficult personal history of abuse, addiction, and loss. The film never separates Goldin's art from her life or her politics—they're presented as inseparable expressions of the same fierce commitment to truth and visibility. Poitras allows Goldin's images and voice to guide the narrative, creating a structure that feels less like traditional biography and more like a visual essay on bearing witness. The scenes of protest against museums accepting Sackler money carry genuine urgency and anger. What emerges is both a compelling activist story and a meditation on how art can be a form of survival and resistance.
When a curmudgeonly classics teacher gets stuck babysitting a troubled student over Christmas break at a New England prep school in 1970, magic happens. Alexander Payne delivers one of his finest films with this beautifully observed character study that balances sharp humor with genuine pathos. Paul Giamatti is absolutely magnificent as Paul Hunham, the acerbic instructor whose lonely exterior slowly cracks to reveal unexpected depths of humanity. Dominic Sessa impresses in his debut as the equally isolated student Angus, while Da'Vine Joy Randolph brings soulful warmth as the school's grieving cook. The trio's unlikely bond feels earned rather than manipulated, and Payne's script crackles with wit while never losing sight of the characters' pain. Shot with a grainy 70s aesthetic that feels authentic rather than gimmicky, this is filmmaking that trusts in performance, dialogue, and emotional honesty.
Colman Domingo delivers an absolutely luminous performance as Divine G, a wrongly imprisoned man who finds purpose and community through a theater program at Sing Sing maximum security prison. Director Greg Kwedar crafts something genuinely special here, blending documentary authenticity with narrative grace as the film follows the Rehabilitation Through the Arts program. What makes this so extraordinary is the cast—mostly formerly incarcerated men playing versions of themselves, bringing raw authenticity that no traditional casting could achieve. The film captures how art and creativity can flourish even in the most restrictive circumstances, and how storytelling becomes both escape and self-discovery. Domingo's chemistry with the ensemble, particularly Clarence Maclin (playing himself), creates moments of profound humanity and unexpected joy. This is filmmaking that trusts its subjects and its audience, resulting in one of the most moving portraits of resilience and brotherhood you'll see.
In contemporary Tokyo, we follow the daily routine of Hirayama, a public toilet cleaner who finds profound contentment in life's simple rituals. Wim Wenders directs Kōji Yakusho in an extraordinarily moving performance that reveals depths of character through the smallest gestures—carefully tending plants, organizing cassette tapes, photographing trees against the sky. The film embraces a meditative pace that mirrors its protagonist's mindful existence, creating something genuinely transcendent from trips to bathhouses, lunchtime noodles, and evening reads of classic literature. Wenders and Yakusho craft a beautiful argument for presence and gratitude, showing how a life dedicated to modest work and quiet appreciation can be as rich and meaningful as any grand ambition.
This mystery drama unfolds like a carefully constructed puzzle box, with Japanese director Hirokazu Kore-eda examining truth, perspective, and the stories we tell ourselves about tragedy. When a single mother accuses a teacher of bullying her son, the film initially presents events from her viewpoint before systematically revealing the same timeline through different characters' eyes. Kore-eda, known for his humanistic family dramas, brings that same empathy to what could have been a simple thriller, instead creating something far more nuanced about how bias and partial information shape our understanding. Sakura Andō and Eita Nagayama deliver compelling performances as the mother and teacher, each convinced of their own righteousness. The film's structure recalls Rashomon while forging its own identity, building toward revelations that recontextualize everything we've seen with devastating emotional impact. This is sophisticated, patient storytelling that respects its audience's intelligence and rewards careful attention with profound insights into human nature.
In a remote French chalet surrounded by snow-covered mountains, a woman stands accused of murdering her husband after his fatal fall, and director Justine Triet transforms this setup into an absolutely riveting examination of truth, marriage, and the unreliability of narrative itself. Sandra Hüller is extraordinary as Sandra, the crime novelist whose life becomes as scrutinized as any fictional plot, delivering a performance of remarkable complexity and restraint. Triet structures the film primarily around the trial, but this is no conventional courtroom drama—it's an intellectually demanding puzzle that challenges viewers to constantly reassess what they think they know. The screenplay brilliantly uses the couple's recorded arguments and conflicting testimonies to explore how the same events can be interpreted in wildly different ways. It's masterfully directed, impeccably acted, and genuinely thought-provoking cinema that lingers long after the credits roll. This is filmmaking at its finest.
In a fantastical Victorian London that feels both period and timeless, Bella Baxter is brought back to life by an eccentric surgeon who replaced her brain with that of her unborn child. Director Yorgos Lanthimos crafts his most visually stunning and thematically rich film yet, following Bella's journey from infant consciousness to liberated woman with his signature blend of dark humor and formal precision. Emma Stone delivers a fearless, utterly committed performance as Bella discovers the world—and her own desires—without the social conditioning that constrains other women. Mark Ruffalo, Willem Dafoe, and Ramy Youssef all bring distinct energy to this bizarre, brilliant fairy tale about bodily autonomy and self-determination. The production design is magnificently strange, creating a steampunk world that serves the story's themes perfectly. This is bold, uncompromising filmmaking that rewards adventurous viewers.
In the sun-drenched Italian countryside of the 1980s, grave robber Arthur (Josh O'Connor) searches for Etruscan treasures while haunted by visions of a lost love. Director Alice Rohrwacher has created something truly magical here—a film that drifts between melancholy and whimsy like a beautiful fever dream. O'Connor is mesmerizing as the spiritually adrift tomb raider, moving through the world with the gait of someone not quite present, surrounded by a makeshift family of fellow outcasts and dreamers. Isabella Rossellini appears as a matriarch who may hold keys to Arthur's past, adding another layer to this rich tapestry. Rohrwacher's distinctive visual style transforms the Italian landscape into something timeless and mythic, while the film's meditation on loss, history, and belonging resonates deeply. This is cinema as poetry, demanding your full attention and rewarding it generously.
Takehiko Inoue, adapting his own legendary manga, delivers a sports anime film of extraordinary emotional and technical achievement that transcends its genre to become something approaching profound. The film follows Ryota Miyagi, the diminutive point guard of Shohoku High School's basketball team, as his personal journey of grief and determination intersects with his team's championship aspirations. Inoue's decision to use hybrid animation techniques—combining traditional hand-drawn character work with CG backgrounds and motion-captured basketball sequences—creates visceral court action that puts viewers in the game while maintaining anime's expressive emotional vocabulary. The basketball sequences demonstrate genuine understanding of the sport's rhythms and strategies, but the film's heart lies in its meditation on loss, brotherhood, and finding purpose through collective effort. Takehiko Sakakibara's score amplifies both the intimate character moments and the pulse-pounding game action. This is essential viewing not just for sports anime fans but for anyone interested in how animation can capture human movement and emotion with unique power.
Pablo Berger crafts an absolutely stunning animated fable about friendship, loneliness, and what we leave behind in 1980s New York City. This dialogue-free film follows Dog, who lives alone in Manhattan, and his deepening bond with Robot after a chance encounter in the park. Berger's animation style—reminiscent of classic New Yorker illustrations—brings the city to life with meticulous detail and surprising emotional depth. The absence of dialogue forces the storytelling through pure visual expression, and the film succeeds brilliantly, conveying complex emotions through gesture, music, and beautifully composed scenes. What begins as a sweet friendship story evolves into something more profound about connection, separation, and the bittersweet nature of memories. The period setting adds nostalgic texture without overwhelming the timeless themes, and the film's patient pacing allows moments to breathe and resonate. This is animation at its most artful and affecting, proving that the medium's greatest power lies in showing rather than telling, creating something genuinely moving and unforgettable.
Andrew Scott delivers a haunting performance as Adam, a lonely screenwriter living in a nearly empty London high-rise who begins a tentative relationship with his mysterious neighbor Harry (Paul Mescal) while simultaneously encountering his deceased parents (Claire Foy and Jamie Bell) as they were in the 1980s. Director Andrew Haigh crafts an achingly beautiful meditation on grief, identity, and queer intimacy that feels both deeply personal and universally resonant. The film moves between Adam's present-day romance and surreal visits to his childhood home with a dreamlike fluidity that never feels gimmicky. Scott's vulnerable, lived-in performance anchors the emotional complexity, while the script explores how we carry our past selves and lost loved ones with us. It's a devastating, tender, and ultimately transcendent piece of filmmaking that lingers long after the credits roll.
1930s Mississippi becomes the atmospheric backdrop for Ryan Coogler's audacious genre hybrid, where twin brothers running a juke joint encounter supernatural forces that mirror America's racial violence. Michael B. Jordan delivers a dual performance of remarkable nuance, differentiating the twins through subtle shifts in posture and cadence rather than broad strokes. Coogler, reuniting with his "Black Panther" and "Creed" star, crafts something genuinely original here—a film that's simultaneously a vampire story, a historical drama, a meditation on inherited trauma, and a technical showcase featuring ambitious long takes and stunning cinematography. The ensemble, including strong work from the supporting cast, inhabits this world with total commitment. What's most impressive is how Coogler refuses to compromise his vision, delivering a film that's challenging, entertaining, and thematically rich. The period detail is impeccable, while the genre elements emerge organically from the historical horror of the Jim Crow South. This is bold, uncompromising filmmaking that marks Coogler's continued evolution as one of American cinema's most exciting voices.