Recent Movies on Hulu
Looking for the latest cinematic gems to stream right now? Hulu has quietly become one of the best destinations for recent movies that deserve your attention, from acclaimed international films to thought-provoking documentaries that have captivated audiences worldwide. Whether you're searching for newly added movies on Hulu or simply want to explore the freshest releases from the past five years, this carefully curated selection of 21 films cuts through the noise of endless scrolling. These aren't just random additions to the platform—each title represents the kind of quality filmmaking that critics and viewers have celebrated, spanning intimate character studies, visually stunning narratives, and powerful true stories that resonate long after the credits roll. Finding the latest movies worth watching on Hulu doesn't have to mean sifting through countless mediocre options. We've done the heavy lifting for you, regularly updating this collection to ensure you have access to the most recent and noteworthy films currently streaming. Get ready to discover your next favorite movie, from festival darlings to under-the-radar masterpieces that showcase contemporary cinema at its finest.
This nature documentary series finds legendary broadcaster David Attenborough returning to his signature subject with renewed urgency and breathtaking cinematography that redefines what audiences expect from marine films. Utilizing cutting-edge filming technology, the production captures never-before-seen behaviors and underwater ecosystems with stunning clarity, from the deepest trenches to coral reefs teeming with life. Attenborough's narration remains as captivating as ever, balancing scientific insight with poetic observation while addressing the critical threats facing our oceans. The series doesn't shy away from environmental realities, yet it maintains a sense of wonder that reminds viewers why these ecosystems matter so profoundly. Each episode builds a compelling case for ocean conservation without resorting to heavy-handed messaging, trusting instead in the power of simply showing these magnificent creatures and habitats in all their complexity.
In contemporary Antwerp, a Syrian refugee and a Belgian woman form an unexpected connection while working to recover a stolen painting that holds deep personal significance for both of them. Director Joachim Lafosse crafts an intimate two-hander that uses the art heist premise as framework for exploring displacement, identity, and the objects we invest with meaning. Éric Caravaca and Lubna Azabal deliver deeply felt performances as two people carrying private griefs, finding in each other's company temporary refuge from their respective losses. The film unfolds in real time over several days, allowing relationships and revelations to develop at a naturalistic pace. Lafosse avoids melodrama, trusting his actors and audience to find emotional resonance in small moments and unspoken understanding. The Antwerp setting provides atmospheric backdrop without calling excessive attention to itself. This is patient, mature filmmaking that rewards attention with genuine insight into how we carry our pasts into uncertain futures.
At its core, this is a profound meditation on faith, doubt, and the weight of moral conviction in a world of impossible choices. Director Amir Toodehroosta crafts an intense character study that follows individuals grappling with their deepest beliefs when confronted with life-altering dilemmas. The film refuses easy answers, instead creating a nuanced exploration of how religious faith and human ethics intersect, clash, and sometimes illuminate each other. The performances are uniformly excellent, bringing depth and authenticity to characters who could easily have become one-dimensional representatives of ideological positions. Toodehroosta's direction favors long takes and intimate framing that forces viewers to sit with the characters' discomfort and uncertainty. The screenplay balances philosophical inquiry with genuine emotional stakes, making abstract theological questions feel urgently personal. This is thoughtful, challenging cinema that respects its audience's intelligence while never becoming cold or academic. It lingers in the mind long after viewing, prompting reflection on our own moral frameworks.
In a fantastical Victorian London that feels both period and timeless, Bella Baxter is brought back to life by an eccentric surgeon who replaced her brain with that of her unborn child. Director Yorgos Lanthimos crafts his most visually stunning and thematically rich film yet, following Bella's journey from infant consciousness to liberated woman with his signature blend of dark humor and formal precision. Emma Stone delivers a fearless, utterly committed performance as Bella discovers the world—and her own desires—without the social conditioning that constrains other women. Mark Ruffalo, Willem Dafoe, and Ramy Youssef all bring distinct energy to this bizarre, brilliant fairy tale about bodily autonomy and self-determination. The production design is magnificently strange, creating a steampunk world that serves the story's themes perfectly. This is bold, uncompromising filmmaking that rewards adventurous viewers.
Pablo Berger crafts an absolutely stunning animated fable about friendship, loneliness, and what we leave behind in 1980s New York City. This dialogue-free film follows Dog, who lives alone in Manhattan, and his deepening bond with Robot after a chance encounter in the park. Berger's animation style—reminiscent of classic New Yorker illustrations—brings the city to life with meticulous detail and surprising emotional depth. The absence of dialogue forces the storytelling through pure visual expression, and the film succeeds brilliantly, conveying complex emotions through gesture, music, and beautifully composed scenes. What begins as a sweet friendship story evolves into something more profound about connection, separation, and the bittersweet nature of memories. The period setting adds nostalgic texture without overwhelming the timeless themes, and the film's patient pacing allows moments to breathe and resonate. This is animation at its most artful and affecting, proving that the medium's greatest power lies in showing rather than telling, creating something genuinely moving and unforgettable.
Andrew Scott delivers a haunting performance as Adam, a lonely screenwriter living in a nearly empty London high-rise who begins a tentative relationship with his mysterious neighbor Harry (Paul Mescal) while simultaneously encountering his deceased parents (Claire Foy and Jamie Bell) as they were in the 1980s. Director Andrew Haigh crafts an achingly beautiful meditation on grief, identity, and queer intimacy that feels both deeply personal and universally resonant. The film moves between Adam's present-day romance and surreal visits to his childhood home with a dreamlike fluidity that never feels gimmicky. Scott's vulnerable, lived-in performance anchors the emotional complexity, while the script explores how we carry our past selves and lost loved ones with us. It's a devastating, tender, and ultimately transcendent piece of filmmaking that lingers long after the credits roll.
Adam Elliot delivers another masterful stop-motion achievement with this deeply personal story of Grace Pudel, a lonely Australian woman whose collection of snails becomes both comfort and metaphor for her isolated existence. The tactile beauty of Elliot's claymation combines with Sarah Snook's exceptional voice performance to create a character portrait that's simultaneously heartbreaking and darkly funny. The film explores Grace's troubled childhood, her complex relationship with her twin brother, and the various eccentrics who drift through her life with unflinching honesty and unexpected tenderness. Elliot's trademark blend of melancholy and humor never tips into sentimentality, even as the emotional stakes rise. The snail imagery works on multiple levels without feeling forced, and the craftsmanship on display is simply stunning. This is animated filmmaking for adults that trusts its audience with difficult material and rewards that trust magnificently.
This screwball comedy-drama hybrid follows Ani, a Brooklyn exotic dancer who impulsively marries Ivan, the son of a Russian oligarch, only to watch her Cinderella story unravel when his powerful family arrives to annul the union and protect their fortune. Sean Baker directs with his characteristic eye for marginalized communities and authentic lived experience, with Mikey Madison delivering a ferocious, star-making performance as Ani (who insists on being called Anora only by her grandmother). What begins as a Pretty Woman fantasy—whirlwind romance, mansion parties, Vegas chapel—shifts gears into something more complex and darkly comic when reality intrudes. Baker surrounds Madison with perfectly cast supporting players, particularly the Armenian muscle sent to manage the situation, and shoots the neon-lit odyssey through New York's underworld with kinetic energy. The film balances broad comedy with genuine pathos, never condescending to its characters even as it exposes the transactional nature of relationships across class divides. Madison makes Anora's determination and vulnerability equally compelling throughout this wild ride.
Matthew Vaughn returns to espionage territory with characteristically kinetic style, delivering a propulsive thriller that balances wit with genuine stakes. The film follows an MI6 operative (Henry Cavill) as he uncovers a conspiracy within British intelligence while racing to prevent a catastrophic terrorist attack. Vaughn orchestrates elaborate action sequences with his signature blend of brutal efficiency and dark humor, supported by sharp editing and a pulse-pounding score. Cavill anchors the proceedings with charisma and physical credibility, finally receiving material worthy of his action-hero potential, while supporting players including Bryce Dallas Howard and Bryan Cranston add dimension to familiar archetype roles. The script, co-written by Vaughn, manages to find fresh angles in well-worn spy territory, incorporating contemporary geopolitical anxieties without becoming preachy. While some third-act revelations may be anticipated by genre veterans, the execution remains consistently engaging. What distinguishes *The Secret Agent* is its confidence in entertaining without insulting viewers' intelligence, trusting that sophisticated action choreography and competent storytelling need not be mutually exclusive. It's the rare spy thriller that works both as visceral spectacle and as a satisfying narrative.
In this searing Iranian drama, director Mohammad Rasoulof examines how authoritarianism infiltrates and destroys family bonds from within. The story follows an investigating judge in Tehran whose rising paranoia, fueled by the political chaos surrounding him, gradually transforms him into a tyrant within his own home. Rasoulof crafts a claustrophobic thriller that mirrors Iran's broader societal tensions, with the domestic sphere becoming a microcosm for state oppression. What makes the film extraordinary is its refusal to offer easy answers or clear-cut heroes—the judge is both victim and perpetrator, caught in systems that corrupt even well-meaning individuals. The performances are uniformly outstanding, particularly from the women whose perspectives increasingly drive the narrative. Given that Rasoulof made this film while facing government persecution (and has since fled Iran), the courage behind the project adds another layer of significance. This is urgent, powerful cinema that captures a specific political moment while exploring timeless questions about complicity and resistance.
Juliette Binoche stars as Eugénie, a gifted cook working alongside renowned gourmet Dodin Bouffant (Benoît Magimel) in late 19th-century France, where their decades-long professional partnership has blossomed into profound love. Director Tran Anh Hung transforms this period romance into a sensory meditation on craft, devotion, and the artistry of cooking. Extended sequences show the preparation of elaborate meals in meticulous detail—the film trusts viewers to find drama in the careful reduction of sauces and the perfect timing of a roast. Binoche and Magimel share wonderful chemistry, conveying a mature relationship built on mutual respect and shared passion for their work. The film's patient pacing allows flavors to develop like the dishes themselves, creating an immersive experience that celebrates expertise and dedication. It's a gorgeous, elegantly structured film that understands how creating something beautiful for others can be the deepest expression of love.
In this tender drama, a Chicago construction worker named Dan (Keith Kupferer) stumbles into a community theater production while dealing with unprocessed grief, and finds unexpected healing through performance and human connection. Directors Kelly O'Sullivan and Alex Thompson craft an intimate character study that understands how creativity and community can offer pathways through trauma without oversimplifying the process or offering easy resolutions. Kupferer delivers a beautifully restrained performance as a man who has shut down emotionally, and watching him slowly open up through theatrical exercises and relationships with fellow cast members feels genuinely earned rather than manipulative. The film wisely spends time with the theater troupe itself, allowing supporting characters to register as full human beings rather than mere catalysts for Dan's journey. O'Sullivan and Thompson, making their co-directing debut, demonstrate remarkable sensitivity to both the specific textures of grief and the particular magic of amateur theater—how vulnerable adults become when they attempt something creative together. "Ghostlight" never pushes too hard for emotional effect; instead, it trusts that small moments of recognition and acceptance will accumulate into something powerful. The result is a lovely, quietly devastating film about finding your way back to life through art and community, performed with uncommon authenticity.
This vibrant hip-hop biopic chronicles the real-life formation of the Irish-language rap group Kneecap in West Belfast, with the band members playing fictionalized versions of themselves. Directors Rich Peppiatt captures the group's anarchic energy and political defiance as Liam Óg Ó Hannaidh, Naoise Ó Cairealláin, and JJ Ó Dochartaigh navigate identity, language preservation, and drug-fueled chaos in post-Troubles Northern Ireland. The film pulses with color, humor, and righteous anger about cultural suppression and the commodification of Irish identity. Michael Fassbender appears in a supporting role as Naoise's father, a militant republican whose ideals contrast with his son's approach to resistance. What could have been a standard music biopic becomes something far more interesting—a celebration of linguistic rebellion that argues preserving Irish isn't about nostalgia but vitality. The performances feel loose and authentic, while Peppiatt's direction employs playful visual techniques that match the group's irreverent style. It's funny, profane, politically engaged, and ultimately uplifting about finding your voice in whatever language speaks to you.
At its core, this is a story about the brutal cost of ambition and the tenuous nature of civilized society at the frontier. Director Nikolaj Arcel's historical epic follows Ludvig Kahlen (Mads Mikkelsen), a retired military captain who attempts to cultivate the inhospitable Danish heath in the 1750s, seeking the reward of nobility promised by the king. Mikkelsen delivers a characteristically intense performance as a man whose single-minded determination brings him into conflict with the ruthless local landowner Frederik De Schinkel (Simon Bennebjerg). The film explores themes of class struggle, colonialism, and the human capacity for both creation and destruction. Amanda Collin and Melina Hagberg provide emotional depth as women who join Kahlen's unlikely settlement. Arcel balances sweeping landscapes with intimate character moments, creating a visually striking film that never loses sight of the human stakes. The result is a gripping period drama that examines what people will sacrifice—and what they'll become—in pursuit of their dreams.
Radiating with unexpected humor and genuine emotional intelligence, this 2025 release manages to find levity in situations that could easily have gone dark. Director Lee Yoo-jin orchestrates a delicate tonal balance, following characters whose lives intersect through a mishap that spirals into increasingly complicated consequences. The ensemble cast demonstrates impeccable timing, playing awkward situations for both laughs and pathos without undercutting either. What begins as a seemingly simple comedy of errors gradually reveals deeper layers about responsibility, connection, and the stories we tell ourselves to make sense of chaos. The screenplay trusts its audience to appreciate both the absurdity and the sincerity of people trying their best in confusing circumstances. The film's greatest achievement is maintaining its lightness while still allowing real stakes and genuine feeling to emerge naturally from the situations rather than being imposed upon them.
Two twenty-somethings spend a day wandering South London after chance encounters with their respective exes set them on an unexpected journey together. Director Raine Allen-Miller crafts a vibrant love letter to the neighborhood, with Dom (David Jonsson) and Yas (Vivian Oparah) gradually opening up to each other through witty banter and shared vulnerability. The film pulses with color and creativity, using split screens, fantasy sequences, and an infectious soundtrack to capture the giddy possibility of new connection. What could have been a conventional meet-cute instead becomes something more textured and authentic, thanks to sharp writing and two leads whose chemistry feels genuinely earned. The supporting cast adds memorable flourishes, but this belongs entirely to Jonsson and Oparah, who navigate heartbreak and hope with equal charm. It's a refreshing reminder that romantic comedies can feel both contemporary and timeless.
In an intimate exploration of loss and identity, director Lotte Sierksma travels across continents to speak with individuals who've lost their twins, examining how that singular bond shapes life even in absence. This documentary handles its delicate subject matter with remarkable sensitivity, giving each participant space to articulate experiences that many have never shared publicly. The film avoids dramatic manipulation, instead letting the stories speak for themselves through thoughtfully composed interviews and quiet observational moments. Sierksma's camera captures not just grief but resilience, not just absence but the enduring connection that twinship creates. What emerges is a portrait of a unique form of loss that challenges conventional understanding of sibling relationships and personal identity. The documentary's greatest strength lies in its patience—it never rushes to conclusions or neat resolutions, instead honoring the complexity of living as one when you began as two. Deeply moving without being exploitative, it's essential viewing.
In this beautifully observed dramedy, writer-director Jesse Eisenberg reunites estranged cousins David (Eisenberg) and Benji (Kieran Culkin) on a Holocaust tour through Poland, where family history becomes a lens for examining their divergent lives and unresolved tensions. What could easily become maudlin instead feels authentic and nuanced, as Eisenberg's script finds humor and heartbreak in equal measure. Culkin delivers an exceptional performance as the charismatic but troubled Benji, whose unpredictable behavior masks deeper pain, while Eisenberg's understated David serves as perfect counterbalance. Their dynamic feels lived-in and real, capturing the peculiar intimacy of family relationships where love and frustration coexist. The Polish setting provides poignant context without overwhelming the personal story, as the cousins' journey becomes as much about confronting their own failures and connection as honoring their family's past. Eisenberg proves himself a thoughtful filmmaker, creating a moving exploration of grief, mental health, and the complicated bonds that define us.
Poignant and visually inventive, this adaptation of Richard McGuire's graphic novel uses a single fixed camera position to tell stories across multiple time periods in one location. Director Robert Zemeckis reunites with Tom Hanks and Robin Wright, utilizing de-aging technology to show their characters' relationship across decades, all from the perspective of one corner of a living room. The experimental structure creates fascinating juxtapositions as moments from different eras overlap and intersect, revealing how spaces hold memories and meanings that transcend individual inhabitants. While the technical approach occasionally draws attention to itself, the emotional core remains strong, particularly in capturing the small, ordinary moments that define lives. Paul Bettany and Kelly Reilly provide solid support as Hanks' parents in earlier timelines. The film's ambition doesn't always align perfectly with its execution, but its meditation on time, place, and human connection offers enough resonance to make it worthwhile.
This hybrid documentary combines archival footage, dramatic recreation, and critical analysis to explore the life and legacy of comedian, activist, and boundary-pusher Sly Stone. Directors Sam Pollard and Ben Selkow trace Stone's journey from gospel prodigy to funk revolutionary whose band Sly and the Family Stone broke musical and racial barriers in the late 1960s, before personal demons and industry pressures led to his withdrawal from public life. Questlove serves as both guide and enthusiastic advocate, contextualizing Stone's innovations within the broader landscape of Black music and American culture. The film grapples thoughtfully with the concept referenced in its subtitle—how the combination of extraordinary talent and the weight of cultural expectation can become crushing, particularly for Black artists navigating predominantly white industry structures. Interviews with musicians, scholars, and those who knew Stone personally add depth, though the man himself remains somewhat enigmatic even by documentary's end. The musical sequences are vibrant and remind viewers why Stone's influence persists across genres. It's both celebration and cautionary tale, honoring genius while examining its costs.
A young woman finds herself caught between her devout upbringing and an ancient vampire's obsessive, supernatural desire in Robert Eggers' atmospheric reimagining of the classic tale. This visually stunning interpretation stars Bill Skarsgård as the terrifying Count Orlok and Lily-Rose Depp as Ellen, whose psychic connection to the creature becomes both her curse and potential salvation. Eggers crafts a meticulously researched period piece that draws from German Expressionism while establishing his own distinct aesthetic through Jarin Blaschke's haunting cinematography. The film embraces gothic horror's operatic intensity, with Skarsgård delivering a genuinely monstrous performance that emphasizes the vampire's otherness and dread. Nicholas Hoult and Aaron Taylor-Johnson provide strong support as men unable to comprehend the supernatural forces threatening their world. Eggers doesn't shy from the material's sexual undercurrents, exploring themes of forbidden desire and female agency with maturity. This is gothic horror executed with artistic ambition and visceral power.