Recent Movies on fuboTV
Looking for the latest cinematic gems streaming on fuboTV? While many know fuboTV primarily for its live sports and TV coverage, the platform has quietly built an impressive catalog of recent movies that deserves your attention. Our carefully curated selection showcases 21 outstanding films added to fuboTV, all released within the last five years, spanning everything from acclaimed animated adventures and thought-provoking dramas to award-winning documentaries and visually stunning masterpieces. Whether you're in the mood for critically celebrated indie films that dominated the festival circuit, family-friendly blockbusters that captivated audiences worldwide, or powerful documentaries that shine a light on important stories, you'll find fresh viewing options that prove fuboTV is more than just a sports streaming service. We update this list regularly to ensure you always have access to the newest movies on fuboTV worth adding to your watchlist, making it easier than ever to discover recent releases you might have missed in theaters or simply want to revisit from the comfort of home.
This nature documentary series finds legendary broadcaster David Attenborough returning to his signature subject with renewed urgency and breathtaking cinematography that redefines what audiences expect from marine films. Utilizing cutting-edge filming technology, the production captures never-before-seen behaviors and underwater ecosystems with stunning clarity, from the deepest trenches to coral reefs teeming with life. Attenborough's narration remains as captivating as ever, balancing scientific insight with poetic observation while addressing the critical threats facing our oceans. The series doesn't shy away from environmental realities, yet it maintains a sense of wonder that reminds viewers why these ecosystems matter so profoundly. Each episode builds a compelling case for ocean conservation without resorting to heavy-handed messaging, trusting instead in the power of simply showing these magnificent creatures and habitats in all their complexity.
Bursting with visual innovation and emotional depth, this animated sequel expands the multiverse concept into something genuinely thrilling and artistically groundbreaking. Directors Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson push animation into bold new territory, with each universe showcasing distinct artistic styles that range from punk rock collage to Renaissance painting. Shameik Moore returns as Miles Morales, navigating the complexities of being Spider-Man while an ensemble of spider-heroes—including Hailee Steinfeld's Gwen Stacy and Oscar Isaac's Miguel O'Hara—complicate his journey in fascinating ways. The storytelling matches the visual ambition, diving deep into themes of destiny, choice, and what it truly means to be a hero. The action sequences are absolutely jaw-dropping, choreographed with such creativity that every frame could be a poster. It's a triumph that proves superhero films can be genuine art while delivering spectacular entertainment.
A devastating exploration of institutional racism and the resilience of the human spirit forms the core of this extraordinary adaptation of Colson Whitehead's Pulitzer Prize-winning novel. Director RaMell Ross makes bold formal choices, presenting much of the story through first-person perspective shots that place viewers directly inside the experiences of young Black students at a brutal Florida reform school in the 1960s. Ethan Herisse and Brandon Wilson deliver remarkable performances as friends navigating the horrors of the Nickel Academy, where the promise of rehabilitation masks systematic abuse and violence. Ross's innovative cinematography isn't merely stylistic flourish—it forces an intimate, almost unbearable confrontation with injustice that might feel distanced in conventional framings. The film moves between time periods with purpose, connecting historical atrocities to their lasting trauma. This is essential, powerful filmmaking that honors the real victims of such institutions while creating something formally daring. It's a haunting testament to both the cruelty inflicted upon vulnerable children and the strength required to survive and eventually bear witness.
Shiori Itō leads this powerful documentary not as a character, but as herself—a journalist who became an advocate after experiencing sexual assault and confronting Japan's deeply flawed justice system. Director Shiori Itō turns the camera on her own harrowing journey, documenting her decision to go public in a society where victims rarely speak out. The film derives its title from the black box recorders that preserve crucial evidence, much like Itō's meticulous documentation of her case through recordings, emails, and video diaries. What emerges is both an intimate portrait of personal trauma and a searing indictment of institutional failure. The documentary doesn't just recount events—it captures the real-time toll of fighting for justice while facing public scrutiny and victim-blaming. Raw, courageous, and essential viewing, Black Box Diaries stands as a testament to the power of one woman's refusal to be silenced.
In contemporary London, director Mike Leigh presents an unsparing yet compassionate portrait of Pansy, a middle-aged woman whose anger and bitterness poison her relationships with everyone around her. Marianne Jean-Baptiste delivers a powerhouse performance as the perpetually furious protagonist, capturing both her character's cruelty and the deep pain driving it. Leigh's naturalistic approach allows the film to observe Pansy's interactions with family, strangers, and service workers with uncomfortable intimacy, never excusing her behavior while gradually revealing its sources. Michele Austin provides a grounding presence as Pansy's sister Chantelle, whose patience and warmth contrast sharply with her sibling's volatility. The film doesn't offer easy resolutions or transformative redemption arcs; instead, it presents mental health struggles and family dysfunction with honest complexity. Leigh finds moments of unexpected humor and tenderness within the darkness, and the result is a challenging but deeply human exploration of how suffering can metastasize into cruelty, and how families persist despite profound dysfunction.
Director Matthieu Delaporte and Alexandre de La Patellière bring fresh energy to Alexandre Dumas's classic revenge epic with this handsomely mounted French adaptation. Pierre Niney commands the screen as Edmond Dantès, the wrongfully imprisoned sailor who transforms himself into the wealthy and mysterious Count to exact elaborate vengeance on those who betrayed him. The film wisely streamlines the novel's sprawling narrative while retaining its emotional core, making the complex web of revenge plots accessible without dumbing them down. The period details are sumptuous without overwhelming the story, and the pacing keeps the nearly three-hour runtime moving briskly. What elevates this version is its attention to the psychological toll of revenge, allowing Niney to show the cost of Dantès's single-minded quest. The supporting cast brings depth to characters who could easily be one-dimensional, and the action sequences deliver genuine thrills. It's a thoroughly satisfying costume drama that proves this tale of betrayal and retribution still resonates.
This vibrant hip-hop biopic chronicles the real-life formation of the Irish-language rap group Kneecap in West Belfast, with the band members playing fictionalized versions of themselves. Directors Rich Peppiatt captures the group's anarchic energy and political defiance as Liam Óg Ó Hannaidh, Naoise Ó Cairealláin, and JJ Ó Dochartaigh navigate identity, language preservation, and drug-fueled chaos in post-Troubles Northern Ireland. The film pulses with color, humor, and righteous anger about cultural suppression and the commodification of Irish identity. Michael Fassbender appears in a supporting role as Naoise's father, a militant republican whose ideals contrast with his son's approach to resistance. What could have been a standard music biopic becomes something far more interesting—a celebration of linguistic rebellion that argues preserving Irish isn't about nostalgia but vitality. The performances feel loose and authentic, while Peppiatt's direction employs playful visual techniques that match the group's irreverent style. It's funny, profane, politically engaged, and ultimately uplifting about finding your voice in whatever language speaks to you.
This investigative documentary uncovers the horrific legacy of Canada's residential school system through the experiences of survivors from the Sugarcane Reserve. Directors Julian Brave NoiseCat and Emily Kassie follow members of the Williams Lake First Nation as they search for answers about children who disappeared from the local residential school, combining personal testimony with a methodical examination of institutional records and unmarked graves. The film's power lies in its patient, thorough approach, allowing survivors to share their stories of abuse and cultural genocide while documenting the community's efforts to reclaim their history. NoiseCat, himself a member of the community, brings both journalistic rigor and profound empathy to material that could easily overwhelm. The documentary doesn't shy from difficult details, but neither does it exploit trauma for shock value. Instead, it creates space for grief, anger, and the painstaking work of truth-telling. Essential and devastating, Sugarcane bears witness to atrocities too long ignored while honoring the resilience of those who survived.
Bold, vulnerable, and wildly inventive, this musical biopic tells the story of British pop star Robbie Williams through an unexpected creative choice: portraying him as a CGI chimpanzee. Director Michael Gracey takes what could have been a gimmick and transforms it into a disarmingly effective metaphor for Williams's feelings of otherness and performance. The film traces Williams's journey from Take That member to solo superstar, not shying away from his struggles with addiction and mental health while celebrating his undeniable talent and showmanship. Jonno Davies provides the motion-capture performance, while Williams himself narrates, creating an intimate first-person perspective on fame's psychological toll. The musical numbers deliver genuine energy and spectacle, and surprisingly, the chimpanzee rendering becomes something you stop questioning—it captures the vulnerability and raw emotion of Williams's story more effectively than a traditional approach might have. It's a refreshing take on the musical biopic formula that earns its unconventional swing.
This documentary follows four Black transgender sex workers in Atlanta and New York City as they share their experiences navigating survival, identity, and community. Director D. Smith crafts an intimate portrait that centers the voices of Daniella Carter, Koko Da Doll, Liyah Mitchell, and Dominique Silver, allowing them to speak candidly about their lives, dreams, and the realities of existing at the intersection of multiple marginalized identities. The film's strength lies in its unflinching honesty and the charisma of its subjects, who discuss trauma and joy with equal openness. Smith employs a straightforward interview-based approach with striking black-and-white cinematography that keeps the focus squarely on the women themselves. While the documentary occasionally feels structurally loose, the raw authenticity of these conversations and the profound dignity afforded to its subjects make it a valuable addition to trans cinema that deserves attention.
In this film, what initially appears to be a straightforward thriller about a serial killer and his victim quickly reveals itself to be something far more complex and unpredictable. Writer-director JT Mollner constructs a narrative puzzle told across six chapters, deliberately scrambling chronology to keep audiences constantly reassessing what they think they know about the cat-and-mouse dynamic between the two leads. Willa Fitzgerald and Kyle Gallner deliver fearless, committed performances that navigate wild tonal shifts from terror to dark comedy to unexpected tenderness. Cinematographer Giovanni Ribisi shoots on 35mm film, giving the Pacific Northwest locations a sun-drenched yet ominous quality that reinforces the film's thematic interest in duality and perspective. The less said about the plot's specific twists, the better—this is a film best experienced with minimal foreknowledge. What makes it exceptional is how it subverts genre expectations without feeling gimmicky, using its fractured structure to explore how violence, desire, and survival instinct intersect in genuinely surprising ways.
At its heart, this is a story about belief—belief in an idea, in a person, and in taking a risk when everyone else says it's impossible. Ben Affleck directs and stars as Sonny Vaccaro, the Nike executive who in 1984 convinced the company to bet everything on an unproven rookie named Michael Jordan, creating the Air Jordan brand and changing sports marketing forever. Matt Damon delivers an excellent performance as Vaccaro, a man whose conviction borders on obsession, while Viola Davis is outstanding as Michael's mother Deloris, the film's moral center who understands her son's value better than anyone. Affleck's direction is crisp and engaging, finding genuine tension in boardroom negotiations and phone calls. The script smartly keeps Jordan himself mostly off-screen, focusing instead on the people who recognized greatness before the world did. It's a sharp, entertaining corporate drama that manages to be inspiring without becoming saccharine, celebrating the passion and vision behind business decisions.
This animated science fiction adventure rewinds the Transformers mythology to explore the origin story of Optimus Prime and Megatron as brothers-in-arms on their home planet of Cybertron. Director Josh Cooley, who previously helmed Toy Story 4, brings a fresh perspective to the franchise by focusing on character relationships rather than relentless action. Chris Hemsworth and Brian Tyree Henry voice the future leaders before their inevitable falling out, delivering performances that inject genuine personality into the iconic robots. The animation is vibrant and detailed, creating a fully realized alien world that feels distinct from the cluttered aesthetic of the live-action films. By stripping away the human characters and Earth-based settings that have defined most Transformers movies, this entry finds room for actual storytelling and emotional stakes. It's an entertaining and surprisingly heartfelt take on familiar material that proves this franchise still has life when approached with imagination and care.
This concert special captures pop star Dua Lipa at the Royal Albert Hall performing hits from her Future Nostalgia era alongside a full orchestra and special guests. Director Sam Wrench, who's developed a specialty in elevated concert films, brings cinematic polish to the production with dynamic camera work and lighting that enhances rather than overwhelms the performances. Lipa proves a commanding presence, her vocals confidently navigating the orchestral arrangements that add dramatic depth to songs like "Levitating" and "Don't Start Now." The stripped-down moments, particularly a gorgeous rendition of "Love Again," showcase her developing artistry beyond the dance-pop production that made her famous. While the runtime occasionally sags between peaks, the overall energy remains high, and the Albert Hall setting provides elegant grandeur without feeling stuffy. It's a polished showcase that demonstrates Lipa's growth as a performer and should satisfy fans while remaining accessible to casual viewers.
When wildlife photographer Billy Mails discovers an orphaned otter cub in the Shetland Islands, he begins an extraordinary relationship that transforms both their lives. Directors Charlie Hamilton James and Kathy Hamilton James document this remarkable real-life story with intimacy and warmth, capturing the day-by-day progression as Billy hand-raises Molly and eventually teaches her to survive in the wild. The cinematography is exceptional, bringing viewers close to otter behavior in ways that feel both educational and deeply moving. What distinguishes this documentary from typical wildlife films is its honest exploration of the emotional bond between human and animal, and the difficult decisions involved in preparing Molly for independence. Billy's dedication becomes increasingly apparent as months turn into years, with the filmmakers capturing both joyful moments and genuine challenges. The Shetland landscape provides a stunning backdrop, but the film's heart lies in the connection between man and otter. Billy & Molly is a genuinely uplifting story about compassion, patience, and letting go.
When Palestinian terrorists take Israeli athletes hostage during the 1972 Munich Olympics, an ABC Sports crew finds itself transformed into a news operation covering a rapidly unfolding tragedy. Director Tim Fehlbaum's taut thriller captures the chaos and ethical dilemmas faced by journalists forced to make split-second decisions with global implications. Peter Sarsgaard anchors the ensemble as Roone Arledge, the legendary producer navigating unprecedented territory, while the film focuses primarily on the control room personnel scrambling to report accurately amid confusion and pressure from multiple sources. The confined setting intensifies the pressure-cooker atmosphere as the crew grapples with questions about what to broadcast and how their coverage might influence events. Fehlbaum maintains relentless tension while thoughtfully exploring journalism ethics in crisis situations, creating a compelling docudrama that illuminates a pivotal moment in broadcast history.
Jim Cummings delivers a tightly wound performance as a traveling knife salesman who makes the mistake of stopping for gas in a desolate Arizona town, only to find himself trapped in an increasingly dangerous situation. Director Francis Galluppi crafts a tense, neo-noir thriller that feels like a Coen Brothers film filtered through the dusty atmosphere of classic Westerns. The ensemble cast, including Jocelin Donahue and Richard Brake, populates this roadside purgatory with memorably quirky and menacing characters. What begins as a simple fuel stop escalates into a pressure-cooker scenario involving criminals, hostages, and split-second decisions. Galluppi demonstrates impressive control over tone and pacing, letting tension build naturally while sprinkling in moments of dark humor. The film makes excellent use of its limited locations, turning a gas station and diner into a character unto themselves. It's a lean, mean thriller that knows exactly what it wants to be and executes that vision with confidence and style.
Henry Bernadet makes an impressive feature debut with this sharply observed comedy that skewers ignorance and privilege with surgical precision. The film follows a well-meaning but wildly out-of-touch protagonist who gradually reveals layers of casual prejudice and willful blindness while attempting to navigate social situations far beyond his comfort zone. Bernadet demonstrates remarkable control of tone, keeping the satire biting without tipping into mean-spiritedness, and he coaxes wonderfully uncomfortable performances from his cast that feel both heightened and painfully real. The script is deceptively clever, using humor to examine how people insulate themselves from uncomfortable truths and the mental gymnastics required to maintain that insulation. What could have been a one-note joke about someone's obliviousness instead develops into a genuinely insightful character study that builds to an earned and satisfying conclusion. The dialogue crackles with wit, and Bernadet's visual choices—often framing his protagonist in ways that emphasize his disconnection from his surroundings—enhance the comedy without calling excessive attention to themselves. This is smart, confident filmmaking that announces Bernadet as a talent to watch.
James Adolphus helms this affectionate documentary portrait of Mary Tyler Moore, tracing her evolution from Laura Petrie to Mary Richards and examining her impact on American television. The film draws on extensive archival material and interviews with colleagues, friends, and cultural historians to build a comprehensive picture of Moore's career and influence. What emerges is a portrait of a performer whose work helped redefine what women could be on television, both in front of and behind the camera. The documentary particularly shines when exploring how Moore navigated the industry's expectations while pushing for greater creative control and more authentic storytelling. Participants including Oprah Winfrey and Candice Bergen provide insightful commentary that goes beyond surface-level admiration. The film doesn't shy away from Moore's personal struggles, including her advocacy for diabetes awareness, but always maintains a respectful distance. The pacing keeps things moving briskly, and the selection of clips effectively demonstrates Moore's range and timing. It's a solid tribute that will satisfy fans while offering newcomers a thorough introduction to an important television legacy.
During the tense events of a U.S. Navy mutiny investigation, officers must determine whether a ship captain's removal during a typhoon was justified or criminal. William Friedkin directs this compelling adaptation of Herman Wouk's classic courtroom drama, bringing his characteristic intensity to the claustrophobic naval proceedings. Kiefer Sutherland delivers a powerful performance as the defense attorney determined to expose the truth, while Jason Clarke excels as the seemingly unhinged Captain Queeg. The film smartly confines most of its action to the courtroom, allowing the moral complexities and psychological tensions to build naturally through testimony and cross-examination. Jake Lacy provides strong support as the young officer caught in the middle. Though the material is theatrical in origin, Friedkin's direction keeps it cinematic and engaging, proving that a well-told courtroom drama can still captivate modern audiences.
A former career criminal living on the run finds unexpected refuge and community by hiding out in a big-box retail store after hours, leading to an unlikely path toward redemption. Director Derek Cianfrance brings his characteristic empathy to this true-story adaptation, starring Matt Damon in a grounded, understated performance that avoids easy sentimentality. The film explores how desperation can lead to creative solutions—our protagonist essentially becomes a ghost in the commercial landscape, creating a hidden life in the spaces between capitalism's cracks. What could have been a simple heist thriller instead becomes a meditation on belonging and second chances. The supporting cast, particularly those playing store employees who gradually discover the truth, brings warmth to what might otherwise feel too bleak. While the pacing occasionally lags, the film's heart remains firmly in the right place, offering a compassionate look at someone society has written off.